By Shawn HarmonAt our third InVisible Difference Symposium, ‘Beyond the Tipping Point? Dance Disability and Law’ (6-7 November 2015, in Coventry), a number of questions were raised in relation to the operation of law in the dance, and more specifically, the disabled dance setting. While some areas of law are much more pertinent to the practice of dance and the actions that dancers might take to protect their rights and income streams, the significance of the medical framework, it seems, should not be dismissed. It might be conceded that this framework – which includes medical education, medical law, and the vast medical architecture – is not so relevant as a legal standard-setter in dance (i.e., it does not directly influence participation in the creative process, ownership of dance, or the ‘mainstreaming’ of disabled dance), but it does sit stoutly if not resoundingly in the background.
